Louise Gibbs

How we’ve all missed live music! The Ellington-Strayhorn gig at the end of May was my first live public performance for 16 months. How wonderful to be in the same acoustic space as the audience and to feel their encouragement and warmth. If you missed our all-Ellington-Strayhorn programme of old favorites and neglected rarities you can listen here:  https://www.facebook.com/jazzleeds/videos/770458143652504/

A big thank you must go to Steve Crocker and his team at JazzLeeds-Seven Jazz  http://www.sevenleeds.co.uk. They have done a remarkable job keeping the flame of jazz alive (and the prospect of musicians working again) while the pandemic kept us …

Thursday 9 September, 7pm at Seven Arts, Leeds LS7 3PD

Louise (with pianist Martin Longhawn) continues her exploration of  storytelling through jazz and modern standards (sneaking in a little improvisation, of course). You will hear songs by Ellington, Annie Ross, McCoy Tyner, Leonard Bernstein, Stephen Sondheim, Charlie Mingus, Esperanza Spalding, Kurt Elling, Lennon & McCartney, Joni Mitchell, and Sting, amongst others – often with a curious tale to tell. …

Check out the Duke Ellington Society UK’s ‘Uptown Lockdown’ weekly show on Wednesdays 5.30-6.30, hosted by Frank Griffith (via Duke Ellington Society UK – Facebook). On 28 April Brian Priestley and I will be special guests talking about, amongst other things, the recording ‘Love You Madly’ we made together with saxophonist/clarinettist (and Jazzpar Prizewinner) Tony Coe to celebrate the centenary of Ellington’s birth. …

While waiting for the next live performance opportunity – here is my first ever publication in philosophy – where I set out my argument for why improvisation is not an imperfect art, and the genesis of all musical activity. Something to bang your head with while you’re waiting for performance venues to open.  

Gibbs, Louise (2021) ‘Improvising beyond Hamilton’s aesthetics of imperfection’ in A. Hamilton and L. Pearson, eds, The Aesthetics of Imperfection Music and the Arts: Spontaneity, Flaws, and the Unfinished, London: Bloomsbury, pp. 112-23.  

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Louise Gibbs is the featured singer with the Frank Griffith Nonet in this programme of Ellington and Strayhorn treasures. The unusual nine-piece set up punches above its weight giving a powerful big band sound with all the intricate delicacy of distinctive arrangements and solo contributions. With music spanning 1932 to 1966, the programme includes: It Don’t Mean a Thing, Daydream, Satin Doll, Take The A Train, Lush Life and Rhumbop (from Drum is a Woman-1956) as well as Ellington/Strayhorn instrumental classics: Raincheck, Sophisticated Lady, It’s Glory, Chelsea Bridge, I Let a Song So Out of My Heart and …